TY  - BOOK
AU  - Chuchalina,Katerina
AU  - Franceschini,Silvia
ED  - Casa dei Tre Oci (Venice, Italy),
TI  - The way of enthusiasts
SN  - 9788831716369 (pbk.)
AV  - N6988.3 .W39 2013
U1  - 701.030947 23
PY  - 2013///
CY  - Venice
PB  - Marsilio Editori
KW  - ART
KW  - Moscow (Russia)
KW  - Buildings, structures, etc
N1  - "Publishing project inspired by the exhibition, The way of enthusiasts ... The exhibition was held in August 29-November 25, 2012, Casa dei Tre Oci, Venice"--Title page verso; Home of the future, 1962 / Alexander Peremyslov -- On the extensive introcution [sic] of industrial methods, improving the quality and reducing the cost of costruction [sic], 1954 / Nikita Khrushchev -- Xenia Sorokina exhibits Valery Sorokin -- Belyaevo 99 and forever, 1999 / Dmitry Alexandrovich Prigov -- Metro, 1979 / Mukhomor group -- Kashirskoe shosse, 1983-1986 / Andrei Monastyrski -- Trips out of town, 1985 / Collective Actions -- Dmitry Prigov, 1995 -- Creation of a time unit for the dead zone, 2012 / OBAMAINBERLIN -- Topologies of telepresence, 1930-2004 -- Picaresques and cybernetics : the new balance, 1982 / Michel Serres -- From urbs repressivum to urbs paranoicum, 1994 / Viktor Misiano -- Media reaction on the action "Barricade at Nikitskaya Street" by Anatoly Osmolovsky, 1998 -- It's all about people, 2007 / David Riff -- The voice of those deprived of voice, 2012 / Ilya Budraytskis -- Problem book, 2012 / Ivan Brazhkin ... [et al.] -- The Luzkhov era : architecture in a period of transition, 2012 / Daria Paramonova -- Volga psycogeography, 2012 / Laboratory group, Samara -- Tony Smith, 1966 -- Soviet architecture of the first Five-Year Plan, 1980 / Vigdaria Khazanova -- Ida, Laura, Marisa : in a museum to wash sheets and blankets, 2012 / Fabio Boccato
N2  - "The Way of Enthusiasts is a translation of the name of the Moscow landmark "Shosse Entuziastov," an avenue that connects the city center to the residential districts. The romantic and impassioned foundations that were laid under this name in the 1920s--as well as the urban environment it designated--gradually changed as the Soviet social project evolved. The book features spatial commentaries by Russian artists over the last few decades, and uses urban and architectural material as a parallel narrative to contextualize and depict the patterns underlying artistic practices since the shift from the Soviet era to a post-ideological society"--Publisher's website
ER  -